Monday, May 6, 2013

Project 3 Self Assessment


In Project 3, we were asked to create a digital artwork of our choice and to identify a central element for the project that relates to what we have learned this year. The central element in my final digital work is the effect of emerging new media technologies on our identities; our sense of privacy and our sense of reception of not only our selves but of other people. I created a web-based surveillance site to survey myself and document my everyday actions. The project was in a sense, a mirror of Facebook, with a little more emphasis on the ways that the technology could be used for more sinister behavior than contacting old high school friends. After all, you are not just using a software and communication, you are actually writing your own story and logging hours of an identity for others to view. This project was largely inspired by Hasan Elahi, a digital artist and professor who created a similar website after being put on the terrorist watch list. After spending many hours proving to INS in Detroit airport that he was not aligned with al Qaeda, and that he was an American citizen, he was asked to occasionally check in with the CIA to continue to prove the validity of his story. The nature of this interaction with our government probed him to “survey himself” and send the CIA information. In his opinion, he was giving in to the control and therefore would no longer be bothered by their immediate presence. This project was also largely inspired by an article we read by Peter Osborne called “Distracted Reception: Time, Art and Technology” which discussed how a change in our mode of thinking is occurring through this emerging virtual network. What I understood from the articles is that we are so surrounded by media that we can no longer be linear in focus. We no longer continue on one vein of consciousness but rather hundreds of capillaries of consciousness and we have less force in any direction as a result.
            When undertaking the surveillance project, there were some obstacles as far as documentation was concerned. One issue that arose was, if I missed a piece of information over the course of a day, it was no longer an accurate documentation of myself, something I was trying to avoid. I also ran into the problem that if a person was not interested in being in my project, I was not allowed to include them in my documentation.  The other issue that was beginning to affect the documentation process was the ratio of action to documenting that action. I sometimes caught my self in a loop where I writing that I was writing, I was documenting my documentation instead of reality. This also became a problem when I would remain somewhere on campus instead of moving when I wanted to move, strictly on the basis of the obligation to document that action. This was another obstacle when trying to communicate my meaning. Technically speaking, there were formatting concerns, especially when it came to making the site browse-able and user friendly. Using some of the pages that link to my site required the person to have passwords and login, which adds another interesting layer to the concept of surveillance, while at the same time further augmenting the reception of the piece toward something less objective. A final concern I had was the obstacle of process/materials, I was unsure about my documentation methods and how to record my actions through video, still photography, writing, or gps, and the extra time spent finalizing my documentation method affected the timespan of the actual surveillance.
            Over the course of the project, my work habits were always in-flux. I had a lot of initial enthusiasm for the project when the idea was first conceived and I had a lot of fun examining the different ways that surveillance can occur. I also had some success by adding both the elements of time-lapse photography and a gps trail that drew on a map as I walked to Hasan Elahi’s concept of photo surveillance. I think that I successfully engaged the issue in my own creative style and I experimented with new processes in digital media. On the other hand, I did not fully accomplish my goal of documenting a span of time in my life. The project only surveys my actions for 24 hours, whereas I planned to record 2 weeks. I also feel that I was unsuccessful in creating my own website. I initially planned to create a site that was entirely new rather than use a blogger template but technical obstacles and a time frame prevented this.  My largest mistake was that I did not begin to document earlier. This would have freed up a lot of time to organize the data on a site and make it user friendly.
            In light of the concepts that I was discussing in my work, I don’t think I can say that it is possible to step back from a new media project in today’s world. I watched the project evolve over the course of several weeks and my mind would never be able to receive the project without the understanding that I have now. All of that aside, I see the project as a great idea, not as a great finished product. I am satisfied to have a project that still has room to continuing expanding and hybridizing with new technologies as they emerge and the discussion of surveillance, privacy and identity develops further. As far as the website goes, it successful addresses the formal element of space by manipulating a virtual space that has access to a real one. By using plain, monotone colors in a template that was very simplistic, I think I successfully projected the idea of a “big brother” surveillance site. However, I am not sure if any message is communicated, specifically. I would hope that a viewer might make the connection between what I have done and what everyone is doing on a daily basis with the internet, however I am not sure that the message is inherently obvious in the piece.
Overall I think that the piece is conceptually strong, yet lacks the ability to create the right reception to the viewer. I think that the project deserves a “b” based on what was accomplished and the ideas that were addressed.